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A joyful, affectionate parody that celebrates everything we remember and love.

If you know your ‘breaks’, your ‘pivots’, and your Central Perk couch, FRIENDS! The Musical Parody is at Milton Keynes Theatre this week, cramming the entire sitcom chaos into one loud, unapologetic night at the theatre.


FRIENDS - The Musical Parody
FRIENDS - The Musical Parody

The show tells the story of Friends almost from start to finish, leaping boldly through major plot points in a very tongue-in-cheek way. It packs in the iconic moments thick and fast, celebrating everything we remember and love. Essentially, it’s the greatest hits of Friends: all the most memorable bits crafted out, crammed together, and put to music. We begin exactly where you’d hope, Rachel bursting into Central Perk in her wedding dress after leaving Barry at the altar, and from there, it rarely slows down.


Staging is minimal, but cleverly so. The show even opens in a mock recording studio,  making no attempt to hide scene changes, with actors doubling as “crew” and visible tape markings on the stage. This creates the feeling that you’re part of a live studio audience at a recording of Friends itself, complete with a warm-up guy encouraging audience participation. While fun, this section felt slightly unnecessary and didn’t add much to the overall experience.


Monika, Gunther, Phoebe and Chandler


That said, the use of set and props is genuinely clever and hugely nostalgic. The first big reveal, Monica and Rachel’s front door, earned an emotional roar from the audience. Add in the famous balcony window, the fridge, and the little round table, and suddenly you’re right back in their apartment. Central Perk is brought to life with the iconic window and sofa, while Joey and Chandler’s foosball table and lazy boy recliners complete the picture. It doesn’t take much, but it works beautifully.

The cast have clearly worked hard on their characterisations, many of them very deliberately exaggerated, which makes the comedy land extremely well. Mannerisms are nailed, helped enormously by spot-on wigs, hair, makeup, and costumes that bring the characters vividly to life.

Joey, Gunther and all the Friends.


Daniel Parkinson is absolutely outstanding as Chandler. His portrayal had me completely convinced. Physical comedy, movement, vocal delivery, and razor-sharp timing all came together to produce laugh-out-loud moments throughout. He also doubles up as Janice, delivering a gloriously over-the-top and hilarious performance that works brilliantly.


Eva Hope is spot on as Rachel, totally convincing in every nuance, from the flick of the hair to the slightly hanging jaw. With the costume and styling, there were moments where it genuinely felt like Rachel herself had walked on stage.


Enzo Benvenuti’s Ross, with his awkward jitters and neuroses, was consistently funny, but along with Ronnie Burden as Joey and Alicia Belgrade as Monica, whilst they had moments where their characters really shone through, overall their portrayals felt slightly more watered down. Phoebe was the one character who didn’t work for me. While Amelia Atherton is clearly a talented performer, the quirkiness and offbeat charm that define Phoebe didn’t fully come through.


Edward Leigh deserves special mention for bringing multiple side characters to life, including Gunther and Richard. These unexpected cameos are a real joy, and it’s in these moments that he truly sparkles.

A special mention must also go to the rest of the cast, those who often go unnoticed: Lottie Lester and Meg Darcy, along with Jared Thompson and Harry Mallaghan, who served as ensemble covers and provided the extras on set. I watched them meticulously, and their performances were nothing short of superb.


The show starts a little slow and shaky, with energy lacking in the early moments. However, once it finds its rhythm, it takes off. By Act Two, it becomes a fast-paced, energetic rollercoaster, driven by strong comic timing, confident stage presence, and powerful vocals. It opens with a song that whizzes through major plot points at breakneck speed, covering Phoebe’s pregnancy, Ross’s marriage to Emily, and the infamous “we were on a break” saga. Then it all goes wildly barmy with Joey and his dancing Duck and Chick!


The dance numbers are well delivered, and while the vocals are strong, the ensemble singing was occasionally so loud that the lyrics became hard to catch. I wasn’t sold on the original songs, but the parody numbers, cleverly borrowed from other musicals, are inspired. Central Perk Tango, Dollars an Episode, and Part of Their Gang are especially funny, and I loved the inclusion of music from the original Friends soundtrack.


There were so many aspects of this show that gave me a pleasurable evening and made me want to revisit the full ten series AGAIN! Overall, I love the concept of this show. It has huge potential and delivers plenty of laughs and nostalgia, but it’s a bit hit-and-miss at times and doesn’t truly hit the mark. With a little more polish and an extra lift in places, it could truly reach the level it deserves.

If you’re a die-hard Friends fan, this is a joyful, affectionate parody that will have you laughing, cheering, and reminiscing from start to finish.


 

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